Hey. Feedback is greatly appreciated, though I understand if there is just too much hustle bustle in those vigorous lives of yours.
Tell me what you think.
But really.
Let
me paint a picture for you. I’m sitting in a beat up 1994 Ford Tempo. The air is on high. The windows are shut and locked. I’m in a gas station
parking lot. It has 6 pumps, all self-serv. My left leg is shaking. Scratch
that, both legs are shaking. I’m too tired to be here, but I am. My palm is
sweaty around the gun in my hand. I have power, but really I have none.
I
turn the car off. I swig from a vodka bottle that is 90% water. The trees
outside sway, which means there’s a breeze, so I step out of the car to catch
it before it passes. I lock the door behind me. I’m enveloped in humidity. The
trees lied.
By
now I presume it’s past 9, because I left at 5 and Pennsylvania is 4 hours
away and I've been sitting here for a while. The road is barely occupied. In fact, it’s barely visible. The
streetlights are dull. They have no power, but they think they do. I try to
tune out the crickets. I focus on the trees. They sway. They
lie. They lie as they sway, because there’s no wind down here.
I
shove the gun in my back pocket. I walk toward the mini mart. In there is four men, two women. Or, more accurately: four boys,
two girls, because they think they’re tough and have power, but they don’t. No,
they don’t.
I
find the freezer section and feign interest in the selection. A blonde girl
chews gum obnoxiously loud. I wander toward the next aisle. Another blonde,
taller, stays still in front of me. She's examining something. She doesn’t notice me.
“Hey,
let’s get these." A boy at the register looks up.
“Don’t
we have enough?”
A
different boy, shorter and skinner, says, “Yeah. No new shit. Aight?”
I
walk around the girl, into the next aisle. The girl scoffs. She throws the
object on the counter anyway.
A
brunette boy in a letter jacket adds to the pile.
“Why
the hell not?”
“Cause
we’re saving, asshole.” That was the first boy.
A
third girl with brick red hair joins them. I watch and stroll
to aisle four.
“What
for?” she says.
They
all look about 20.
The
second boy talks again. “Fair enough. The account is deep.”
“That’s
because it’s not yours.” I’m not looking.
“So.”
“He’s
solid in his alibi, anyway.”
“Good.”
“Yeah.”
“How
much we got?”
“A good 500.”
“A good 500.”
“Fine.”
“Come
on! On me!”
Someone’s
playful shriek pieces my ear. It’s the sound of power.
“Get
that.”
“Ew.”
“Shut
up.” Well, seeming power.
“This.”
“No.”
“Yeah!”
They think they are boundless, free, powerful.
“Stop.
The other one.”
“Throw
it here.” Don’t we all? Don’t we all?
“Ready?”
Ready.
“That.”
“The
green.” Who will tell them the truths? Who will set the trees straight?
“Come.”
“Come
on.”
“Let’s
go.”
“Let’s
go.”
“Grab
that.”
“Dude.”
“Okay.”
“Woo!”
I’ll help you all.
“Got
it?”
“The
bag, man.” I’ll save you.
The
noises begin to fade, the door chimes once.
I
cock the trigger. The
noises cease.
“What
was that.” Like a statement, just like that, clueless and mindful,
but not really either.
“So
ungrateful,” I say. “So, so ungrateful.”
“Sir-“
“Kid.”
I
put the trigger to the brunette’s temple.
“Let
me help you with that.”
I
take the bags. The girls glance at the cashier. He is crouched behind the
counter, as irrelevant as he is helpful.
“I
don’t want your money.”
“Ready?”
The
kid’s eyes are made 90% of fear. The remaining 10 is everything else, greed, power. Or lack thereof.
The
boy is shaking now. They all are. This is good. I see it in all their eyes,
wishing they’d been more aware, regretting all those times they talked back,
cheated, lied, like the trees.
“Listen.”
The
gun is unloaded, but they don’t know that. I have all the power, and also none
of it.
I
wipe my upper lip.
“I
will make you grateful.”
“So,
so grateful.”
I have all the power.
I have all the power.
I
pull the trigger.
“Go.”
They bolt.
But
really none of it.
FEEDBACK TIME WAZZZUUPP.
ReplyDeleteQuestions/things that confused me/things I liked/suggestions (in order, as I reread it):
I love the beginning. The short sentences really work. However, I wouldn't mention the power thing (that you really have none) that early on. I think you should stick with the concrete details at the beginning, because it works really well, and gradually lead up to the theme-ish stuff.
Small thing: "The trees outside sway, which means there’s a breeze, so I step out of the car to catch it before it passes." I would end the sentence after "breeze", just so that the reader remembers that's why you said the trees lied. This could be just me, but because the breeze part wasn't emphasized, I wasn't paying attention to that and I had to look back when you said "the trees lied" to see why.
Make sure your voice/tone is consistent. Would this character use the word "presume", or would they say "figure" or something else a little more colloquial?
OMG more streetlights. This seems to be a recurring theme.
Delete "they lie as they sway..." sentence.
I like the change from men and women to boys and girls.
I didn't understand the "don't we all" part. Looking back, I guess you were referring to "boundless, free, powerful"...? But I didn't catch that when I was reading because it was broken up by the dialogue. (This could all just be me being careless :P.)
I like the minimal use of dialogue tags, but I got confused/frustrated starting at the "the account is deep" line. I realize it's not that important to know exactly who is talking during those lines, but I found myself kind of skipping over them, and I lost the visual of the scene that I had because I didn't know what was going on.
I like the lying trees motif. I also like how late you tell us that the gun isn't loaded. You build tension very well in this piece.
Here's what I want to know: What is the narrator's motive behind "saving" these kids? Is this something that he regularly does (like does he consider this kind of thing his duty or purpose or whatever)? I'm interested in this guy! I think this would work very well as a bit of a longer piece.